Yellow Cosmo // Second Print
It was autumn of 2015 when I first began developing the aesthetic that defines my current body of work. This was one of my earliest successes—and nearly a decade later, it remains one of my favorite botanical shots that I’ve ever taken.
2015 / Stockton, NJ
The frame is made from an old stock of rough sawn tongue and groove pine that was left over from a barn renovation in Pipersville, PA.
Giclee print on velvet fine art paper: 5.5” X 4.5”
Frame Size: 8” X 7”
……………………………………………………
Second Print // ©2024 Route 29 Creative
It was autumn of 2015 when I first began developing the aesthetic that defines my current body of work. This was one of my earliest successes—and nearly a decade later, it remains one of my favorite botanical shots that I’ve ever taken.
2015 / Stockton, NJ
The frame is made from an old stock of rough sawn tongue and groove pine that was left over from a barn renovation in Pipersville, PA.
Giclee print on velvet fine art paper: 5.5” X 4.5”
Frame Size: 8” X 7”
……………………………………………………
Second Print // ©2024 Route 29 Creative
It was autumn of 2015 when I first began developing the aesthetic that defines my current body of work. This was one of my earliest successes—and nearly a decade later, it remains one of my favorite botanical shots that I’ve ever taken.
2015 / Stockton, NJ
The frame is made from an old stock of rough sawn tongue and groove pine that was left over from a barn renovation in Pipersville, PA.
Giclee print on velvet fine art paper: 5.5” X 4.5”
Frame Size: 8” X 7”
……………………………………………………
Second Print // ©2024 Route 29 Creative
